Адрес:
м. Алексеевская
ул. Бочкова, 8к1
Режим работы:
Пн-Пт: 10:00 - 19:00
Сб-Вс: 12:00 - 17:00
Адрес:
м. Алексеевская
ул. Бочкова, 8к1
Режим работы:
Пн-Пт: 10:00 - 19:00
Сб-Вс: 12:00 - 17:00
October 11, 2017 – DJI, the world’s leader in civilian drones and aerial imaging technology, today introduced the Zenmuse X7, the world’s first Super 35 digital film camera optimized for professional aerial cinematography. Designed to work seamlessly with the DJI Inspire 2 drone, the Zenmuse X7 delivers superior image quality, interchangeable lenses, and a new DJI Cinema Color System for post-production to give film and video professionals more creative freedom.
“The
Zenmuse X7 offers everything professional content creators need to make their
aerial footage as stunning and vivid as they demand,” said Paul Pan, Senior
Product Manager at DJI. “From the large Super 35 sensor to a new mount, lenses,
and color system, the Zenmuse X7 gives cinematographers and professional
photographers an unmatched set of tools that work seamlessly with the DJI
Inspire 2 drone to capture high-quality footage that is easily integrated into
projects shot with industry-leading handheld cameras.”
Greater Expressive Freedom
The
Zenmuse X7 is equipped with a Super 35 video sensor featuring 14 stops of
dynamic range for more detail in low-light conditions. Its low-noise image
capture enhances grading flexibility by preserving details in both highlight
and dark areas while enabling a shallow cinematic depth of field.
To
meet the rigorous requirements of filmmakers and television production
professionals, the Zenmuse X7 captures the highest image resolutions ever for
an integrated drone camera. It is capable of shooting 6K CinemaDNG RAW or 5.2K
Apple ProRes at up to 30 FPS, as well as 3.9K CinemaDNG RAW or 2.7K ProRes at
up to 59.94 FPS to integrate seamlessly into industry-standard post-production
workflows.
Enhanced Imaging
Potential
The
Zenmuse X7 uses a dedicated aerial mount system, the DJI DL-Mount, featuring an
ultra-short flange focal distance to carry prime lenses optimally. Available
with focal lengths of 16 mm, 24 mm, 35 mm, and 50 mm, each lens has a maximum
aperture of F/2.8 and is crafted out of carbon fiber, making them durable and
lightweight for high-performance aerial cinematography with the DJI Inspire 2
drone.
To
allow for advanced setting adjustment and fine-tuning, the 16mm lens is
equipped with a built-in ND 4 filter, and the 24 mm, 35 mm, and 50 mm lenses feature
a mechanical shutter.
Higher Flexibility in
Post-Production
DJI
has also introduced a new DJI Cinema Color System (DCCS) making the Zenmuse X7
an asset on every film set for movies, TV series, commercials, documentaries,
and more.
“For
the Zenmuse X7, we took our color science to the next level,” continued Pan.
“We consulted the world leading authorities in color science, Technicolor. With
their guidance, our engineers developed an optimized gamma curve for the X7
allowing more latitude without sacrificing image quality.”
DCCS
features a new D-Log Curve and D-Gamut RGB color space to give more flexibility
and color options during the post-production process. The D-Log further extends
the dynamic range, while the D-Gamut RGB color space preserves more color
information to support the most demanding filmmaking scenarios, providing
accurate color for quick and easy post-processing.
The new EI Mode mimics the way a film camera works to help cinematographers capture as much information as possible in every scene while balancing the dynamic range and noise with different log curves for more flexibility during the post-production process.